Just saw this review of the Kii Threes by mastering engineer Bob Macc. He seems rather pleased with them:
…everything is just tight, accurate, and not smeared in time or pressed-sounding. Kick drums on these speakers are ridiculous in their tightness and accuracy. Acoustic and electric basses are the very definition of the word ‘articulate’. The time-coherency extends, of course, across the whole spectrum. Transients are, well, transients.
The imaging on these speakers is also absolutely unbelievable, in all dimensions. The front to back depth is unreal; room information is conveyed incredibly well. You’re there. In fact it might be the depth that astounded me more than anything else. The stereo image is absolutely enormous, involving, and everything sounds real. Drums pop out like drums do (or don’t, if they don’t). The main acoustic guitar in Holland and Habichuela’s ‘Hands’ was unbelievably real. The sound is huge, and absolutely pristine in all regards.
They are incredibly revealing – I heard things in tracks I know extremely well that I have never heard before. I heard micro-movement inside tracks from compression/sidechaining that I’ve never heard before. I heard mistakes in work by very famous engineers in tracks I’ve listened to a million times. I heard mistakes in my own work (tiny ones, I promise!) that I absolutely would not have allowed to pass had I heard them previously. That kind of says it all.
The whole time though, you’re thinking; ‘how do those tiny little speakers make all that sound?!’. With eyes closed and a good-sounding track playing, the room is absolutely full of sound. When you open your eyes, it’s almost as if the illusion is destroyed – there’s simply no way those little things can produce all that sound. But they do, and they do it easily and effortlessly.
I really am going to have to get in touch with the chap at Purité Audio (who posted this review on HiFi Wigwam) and see if he’ll let me have a listen…